The first of a grim pair of episodes depicting filicide within Greek myths. We piece together the story of Agamemnon’s sacrificing Iphigenia for favorable winds – and the fallout of such action after the war. All this with an eye for how the choices parents make either support or harm the parents’ individuation.
When churchyards yawn, and hell itself breathes out
Contagion to this world: now could I drink hot blood.”
(Shakespeare, Hamlet, ca. 1600)
On the thirty-first of October, countries as distant as Mexico, Brazil, Scotland, Australia, New Zealand, Puerto Rico, Canada, and, above all, the United States, celebrate one of the strangest and most popular pagan holidays: Halloween. Over the past two decades, this festival has also taken root in the Czech Republic, Slovakia, and other Eastern European countries, where it overlaps with the Christian commemoration of All Souls’ Day.
Its origins, however, reach back more than two millennia to the ancient Celtic custom known as Samhain, once celebrated in northern France, England, and Ireland. In various forms, this archetypal motif appears in religions and myths across the world. The theme that Halloween brings to consciousness holds deep psychological significance, as it addresses a core insight for curating the well-being of humankind.
Samhain: The End of Summer
The Celts called the festival Samhain. The old Irish and Gaelic word samfuin means “the end of summer” or “the setting of the sun.” The festival marked the conclusion of the harvest and the beginning of the Celtic New Year. The Gallic calendar divided the year into two halves—the dark and the light—each beginning with the months Samonios and Giamonios, respectively. Samhain thus opened the dark half of the year, a time when the sun withdrew and the fires of transformation were kindled. The New Year’s celebration lasted three days—Trinoux Samoni—a triple feast that symbolically contained the movement from life toward death and back again.
We begin our coverage of Orpheus and Euridice. This episode is primarily focused on the archetypal power of creativity as demonstrated in Edith Hamilton’s telling of the story. We will read Ovid’s version and dig into other elements of the story in the following episode.
We recorded this shortly after the 2024 US election results but, as it took some time to edit, we decided to post on inauguration day (reposted here from the original feed). In a time when self-absorbed billionaires have taken control of government, this episode’s topic feels particularly relevant.
In this episode we discuss the story of Hercules, the strongest man and perhaps the most well known of Greek heroes. While folks are probably familiar with general highlights of his story, many of the finer details may be surprising. After consuming the entirety of his legend, it’s hard to call it anything else but tragic.
After an unintentionally extended break we bring you our first story episode of season 2! No pantheon is without its creation story and it seemed an obvious place to start for our season of Greek mythology. We discuss the archetypes of creation stories with some comparisons to biblical creation and… The Big Bang Theory?
Renowned mythologist and McArthur genius Fellow Lewis Hyde joins Patricia Martin in a revelatory conversation about the trickster archetype embodied in mythology.
Our first episode of season 2! In a way this is episode 0 because it is an introduction to the members of the Greek pantheon and some of our opinions on them.
“In an odd way, the conspiracy theorist’s view is both frightening and reassuring. It is frightening because it magnifies the power of evil, leading in some cases to an outright dualism in which light and darkness struggle for cosmic supremacy. At the same time, however, it is reassuring, for it promises a world that is meaningful rather than arbitrary. Not only are events nonrandom, but the clear identification of evil gives the conspiracist a definable enemy against which to struggle, endowing life with purpose.” (Michael Barkun 2003)
Odysseus’ Shipwreck
In the Homeric Opus, the embattled and traumatized Odysseus is shipwrecked at Ogygia Island: “Then, all at once Zeus thundered and hit the ship with a lightning bolt. Smitten by Zeus’ bolt, the ship spun around and was filled with sulphurous fumes. My shipmates fell out of the ship, and, like seahawks, they were carried by waves past the black ship” (Homer, 1871, p. 12.407–19).
Jean Shinoda Bolen leads a workshop which offers an appreciation of how myth, legend, poetry, and contemporary stories provide insights that are meaningful in ordinary life, with particular attention given to those times in a person’s life when major changes are occurring.
The story is “Little Red Cap” this time, better known as “Little Red Riding Hood”. We discuss such topics as the 3 faces of the Great Mother, the nature of wolves, and of course our good friend Trickster. Please note that there is also some discussion of rape in this episode, if that is something that will upset you, this may be one to skip.
Our part 2 coverage of Snow White discusses Anima/Animus and how it has shaped the way people perceive and project gender roles at varying points in history.
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The views and opinions expressed in the podcasts and blog posts are those of the respected speakers or authors and do not necessarily represent the views of the C. G. Jung Institute of Chicago.